A BETTER FUTURE: Conservation and Housing
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    Many of the best works in the scrapbooks are stained. The staining may have occurred before the prints and drawings were mounted into the scrapbooks. Most, however, are undoubtedly the result of various acids and minerals inherent in the mounting paper, glues, and pastes. 

    The beautiful engraving below by Peeter de Jode (ca. 1570-1634) after a portrait by Van Dyck (1599-1641) suffered several visible stains; particularly jarring were those on the forehead of the sitter.The treatment report explains how the stains were lessened (prints are no longer "bleached new" - at least not by responsible conservators). The engraving was photocopied before treatment. The photocopy will take the place of the original in the scrapbook.Treatments such as these require highly skilled, educated artisans. As a consequence, conservation efforts of this type are extremely expensive.
  
  

10¾" x 7"
  
see Conservator Elizabeth Coombs Leslie's 
Condition and Treatment Report for this print. 
 
 
 
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